The number of films (and with that, of course, the number of reviews) that I have watched in recent months continues to decrease. And that’s not because there is nothing to watch, on the contrary. My Netflix list is still huge and I keep adding titles and my IMDb list of movies I want to see consists of 379 titles. Still, I find my escape from reality a lot less in films the last couple of months. Partly because films don’t wow me as much anymore and I’d rather prefer to walk outside for one and a half to two hours in quiet areas, than to sit at home for an even bigger part of the day. Still, I was curious about the latest film by director Spike Lee. You can have different opinions about his films, but no matter what you think, you’ll have to agree that they are always unique. Da 5 Bloods is his latest and is available on Netflix. Continue reading
Category Archives: Crime
Bloodshot (2020) – Review
Ignoring a few exceptions (Boiler Room, Saving Private Ryan) Vin Diesel has mostly starred in action movies, which often can’t be taken very seriously.
Think of the XXX films (Diesel as “extreme sports” super spy), the Riddick films (in which he is an alien superhero) and the Fast and Furious franchise (in which he also plays a superhero who can survive the most impossible situations). Based on a series by Valiant Comics, Bloodshot also takes on the role of a superhero. Does that make for an entertaining movie? Continue reading
Les Misérables (2019) – Review
During the opening moments of the French film Les Misérables, in which you see large crowds of people during the 2018 FIFA World Cup, you get a strange feeling looking at it with the reality of today. In a society where you ensure that you keep enough distance from each other, it makes you feel uncomfortable. Obviously this was not the vision for the makers of the film, but it is almost alienating to see. The title might suggest that this is a new version of the famous book by Victor Hugo. There is no direct link however, but the events do take place in Montfermeil. It is the place where Hugo wrote his book and director Ladj Ly tells his own story. Continue reading
Onward (2020) – Review
The current corona crisis has not only changed daily life, the impact on the film industry is also enormous. Film companies can no longer make new films and titles that are about to be released are postponed, sometimes even by a year. Other titles, the films that are not blockbusters, will appear on VOD platforms without ever seeing the cinema (or only very shortly before the closure of cinemas). One of those titles was Pixar’s Onward, which was recently available for rent in America and is now available on Disney. Continue reading
Spenser Confidential (2020) – Review
The Netflix exclusive Spenser Confidential is already the fifth film in a row that director Peter Berg has made with Mark Wahlberg. After the terrible Mile 22 and with the thought in mind that generally Netflix movies (with a few exceptions) are disappointing, I decided to give this new title a try. I shouldn’t have. Continue reading
The Gentlemen (2019) – Review
Although director Guy Ritchie has been working for more than 20 years now and is responsible for titles such as Aladdin, The Man from UNCLE, and the Sherlock Holmes movies, it’s his first two movies that are still my favorite. Lock, Stock and Two Smoking Barrels and Snatch were delightful British gangster films that stood out for their pacing and humor. With The Gentlemen, Ritchie returns to his roots. Continue reading
Suriname (2020) – Review
A movie title can create great expectations. Suppose you are asked to write a movie with the title America or the United Kingdom, which subject(s) would you choose to show that cover everything. And what message do you want to convey to your viewers? Surinam is a country with a turbulent history and that according to the opening title has a lot of natural resources (in the top 15 of the world), but that it nevertheless has problems. A fact that makes you think and that you can do a lot with. Unfortunately, it soon becomes painfully clear that a possible message is hard to find. Continue reading
6 Underground (2019) – Review
You can interpret the above spectacular photo of the Netflix movie 6 Underground in a number of ways. Visually your eyes are immediately drawn to it. Why is an Audi flying through the air? Are those explosions or did someone just play with fireworks? What is actually going on here? Especially the latter is a question that I regularly ask myself when I see a Michael Bay movie. A director who is able to create visually attractive images, but then pastes so many in a row that you as a viewer sometimes lose the overview. When it comes to depth storywise it’s often lacking and because of that the action often feels empty. Does Bay manage to restrain himself a bit here? Continue reading
Birds of Prey (2020) – Review
In Suicide Squad, Margot Robbie managed to stand out with her rendition of Harley Quinn. Therefore it isn’t surprising that DC decided to give the character her own film. Because despite the title, which refers to a group of female superheroes who fight crime (and also appear in the film), the focus is primarily on her. Does that result in an enjoyable film? Continue reading
Uncut Gems (2019) – Review
“Never say never”. That was the saying that came to mind immediately after seeing Uncut Gems. A few years ago, after seeing Pixels, I took the decision not to see a single film with Adam Sandler. His comedies are unfortunately bad and I didn’t want to expose myself to those horrors anymore. However, when I heard that he was playing the lead role in a new film by the Safdie brothers, I had to put my decision aside. Their film Good Time was one of those titles which grabbed the viewer and never let go. It showed how good Robert Pattinson is as an actor. When the brothers wrote Uncut Gems, they had Sandler in mind for the lead role. Continue reading