Yorgos Lanthimos is a director who I always like to keep an eye on as a film lover. The reason for this is that he creates worlds and tells stories that are anything but standard or predictable. In The Lobster single people had to find a partner within 45 days or else they would change in animals and in The Killing of a Sacred Deer he plays with extortion and possibly supernatural powers, resulting in a number of very memorable moments. As a result, these films may be strange and not easily watched by everyone, but I really enjoy them myself. The Favourite is perhaps his most accessible film and has received a lot of Oscar nominations and Olivia Colman won the statuette for best actress (and had an amazing Oscar speech). What makes this film so special? Continue reading
Category Archives: Drama
Bodied (2017) – Review
I can still remember a moment, what could have been 20 years ago, when I went to a club in Rotterdam called Nighttown (which was once the place where a cinema was located) where a hiphop festival took place. It was a mix of all kinds of disciplines. In one room there were b-boys breakdancing, music was playing and artists were performing. But the thing everyone wanted to go to were the battles, which were on the program towards the end of the evening. A gladiatorial battle between different MCs, who try to basically kill each other verbally. A spectacle in which the direct feedback from the audience is the indicator of success. A mix of well thought-out pre-written texts, but also proof that you can respond to your environment and what the other person says to you. In one of the rounds it was local artist Tim Beumers battling and the referee dropped the coin by mistake at the toin coss, he saw an opportunity. He started and made an instant statement that the other guy was so poor that he saw him wanting to pick up that dropped coin. The audience went wild and Tim immediately used that in his lyrics as well. He went home as the winner that evening.
It is a subculture of hip hop that occasionally shows up in TV shows and films, with 8 Mile probably being the best known example. Eminem, who made a name for himself as a battle MC before he broke through, brought the battling to a wider audience and in Bodied, which he produced, also is about this scene. Is this a copy of that movie or does Bodied bring something new to the table? Continue reading
Memoir of a Murderer (2017) – Review
As we get older, the chance that our body starts to show defects is increasing. If you injure yourself, you will recover less quickly, you may need a new hip and a cold can have more serious consequences. Yet slowly losing your brain, your thoughts and who you are may be the most frightening thing that can happen. That you can no longer rely on the thing which makes you who you are and could no longer recognize the world around you. Forgetting what you did yesterday. If you are a serial killer who has decided years ago to no longer murder and suddenly find out that bodies are found, how do you know if you did not when you can’t remember? Continue reading
Alita: Battle Angel (2019) – Review
When I think of director Robert Rodriguez, I do not immediately feel that I should see every project he does. His first film El Mariachi was good, I have been able to enjoy the Spy Kids films for what they are and Sin City is perhaps his best, but the feeling of Grindhouse-like films that he has done a lot (eg. the Machete titles) prevails. I did not really have any expectations about Alita: Battle Angel, but the fact that this is a project that James Cameron wanted to make for nearly twenty years, besides Avatar, and he was also involved in developing this Rodriguez version, could result in something interesting. I decided to watch the film the best way possible, in a Dolby Cinema. Is Alita: Battle Angel worth it? Continue reading
Vice (2018) – Review
The medium of film is a true chameleon. It can be used to entertain, share information, raise awareness or provoke discussion. The film screen is a blank canvas on which a filmmaker can paint whatever he wants, and it is up to the viewer to decide whether what is shown is moving you or whether it is good / bad. Director Adam McKay, who previously made The Big Short (but also Step Brothers, Ant-Man and The Other Guys) uses that canvas here for something that is anything but standard. Continue reading
Arctic (2018) – Review
Writing a story for a film is a challenge in which the person who thinks of what happens to the main character can make a huge number of choices. As a writer, you want to be unique and not get into clichés. If you make the right choices and then it is also filmed by a competent director, that can result in a great movie. But if you make one wrong choice it can have a lot of impact on a story, sometimes so much that the viewer is no longer prepared to believe in the world that you have built up with great difficulty. Fortunately that was not the case for Arctic … until the last five seconds. Continue reading
Glass (2019) – Review
While Unbreakable did not really leave a lasting impression on me, it was very different with (what at the end of the film turned out to be) the follow-up Split. A film that I was a huge fan of and I could not wait to see the third part in this trilogy, Glass, in which the characters from the first two films come together. Continue reading
Cold War (2018) – Review
Poland, the 1950s. Wiktor (Tomasz Kot), together with a number of colleagues, travels through the country to ensure that traditional music is not lost and does so by recording it. They start an organization to perform this music and Wiktor meets the rebellious Zula (Joanna Kulig). The two are getting closer and closer, but as the success of this folklore group increases, the regime also sees it as a perfect way to promote itself, something Wiktor is not enthusiastic about. He devises a plan to escape with Zula to the west so that they can be together and do what they want, but whether that is realistic, is the question. Continue reading
Black Mirror: Bandersnatch (2018) – Review
When Netflix released the first interactive show on Netflix last year, Puss in Book: Trapped in Epic Tale, I was very curious about the concept. But when I played this short film, I did not get any interactive options. I did not investigate it any further, but the concept (which incidentally has also been used for some movies in the cinema) of leaving making choices about what happens to the viewer, is fascinating. Is it still a movie? Or is it more a game? Last Friday, Netflix released the first Black Mirror film, Bandersnatch, which also uses this concept. Again I did not get it working. Since Black Mirror is one of my favorite series and I had to see it, I decided to find out how you can watch it. My phone did not work (probably because it does not have a standard Android version), a Samsung tablet did not offer the option either. Apple TV, Chromecast and a Samsung smart TV were all the same story and the Netflix site does not offer an extensive list of supported devices. Eventually it worked on another smart TV from Samsung and after a lot of frustration I finally managed to enter the world of real interactive TV. Continue reading
Rounders (1998) – Review
Listen, here’s the thing. If you can’t spot the sucker in your first half hour at the table, then you ARE the sucker.
Sometimes there are those movies that you forget about almost immediately after seeing them because they are so bad, but there are also good movies that you would love to forget so that you can experience them again for the first time. That is certainly the case for, for example, the films from my personal top 100, but there are also films that fall outside of it and where I wish for the same. Rounders is an example of this and since it is a film that I have not seen for at least 15 years. The only things I remembered about it was that Matt Damon is in it and that John Malkovich has a bizarre Russian accent. A nice moment to revisit this poker film again to find out if I still are able to enjoy it as as when it was just released. Continue reading