The Mule (2018) – Review

The Mule review
Clint Eastwood is an actor who is woven into the DNA of film. With his iconic characters he has immortalized himself and behind the camera he has shown what he is capable of. He is now 88, but he is still making films. In this latest film, in which he also plays the lead, he delves into the world of Mexican drug cartels. Continue reading

Love, Death & Robots (2019) – Review

Love Death & Robots review
Although a load of new content appears on Netflix every week, I generally take the time to watch what interests me. I add it to my viewing list when it is announced and I often see it a few weeks after it has been released. However, last week was a week in which I could not wait until the releases of Triple Frontier (review will follow), season 2 of The OA and this series, Love, Death & Robots. With Tim Miller (director of Deadpool) and David Fincher as executive producers and a science fiction approach, I was very curious. I had not seen the trailer and I was totally unprepared for what I would experience, but when I started watching, I couldn’t get enough of it. Continue reading

The Cleaners (2018) – Review

Review The Cleaners

How much better would the world be without internet? Despite the extra convenience and direct access to all kinds of information and products, it has changed the world, changed people and what’s important to us. Suddenly many try to show themselves from their best side and everything is about being seen, likes and number of followers. An artificial form of popularity that has earned many people money, but despite the fact that this is supposed to be social, it is anything but. And there are also plenty of people who try to share terrible videos, photos and texts via social media. And although large platforms try to take action against this automatically, it hasn’t gotten so good that people are no longer needed to make choices about them. Companies such as Facebook and Twitter have a true “army” of unknown editors, who are presented with horrible images every day (around 25,000) and have to make a choice whether this should be removed or seen. The documentary The Cleaners tries to get those people, who are trying to make the various platforms safe for us, to tell their story. Continue reading

Mile 22 (2018) – Review

Recensie Mile 22
Within the film industry there are certain combinations of directors and actors who seem to be almost inseparable. Martin Scorcese and Robert de Niro or Leonardo Di Caprio, Quentin Tarantino and Uma Thurman, Tim Burton and Johnny Depp, Billy Wilder and Jack Lemmon or Akira Kurosawa and Toshiro Mifune. These are collaborations in which the two seem to reinforce each other. Director Peter Berg has that with Mark Wahlberg. The two previously made Lone Survivor,Deepwater Horizon and Patriots Day. All films that are based on real events. However, this is not the case for Mile 22, which is entirely fictitious Continue reading

The Breaker Upperers (2018) – Review

Recensie The Breaker Upperers
It’s sometimes difficult to keep track of what new content has appeared on Netflix. The streaming service itself does not have a clear overview in its interface and it is a pity that the suggestions are based more on popularity and your own taste instead of a simple list of new titles from which you make your own choice. Fortunately, I keep track of what comes out by reading other film blogs and listening to podcasts, so that way I’ll hear about titles which are worth watching. One of them is The Breaker Upperers, a comedy made in New Zealand. Continue reading

The Favourite (2018) – Review

Review The Favourite

Yorgos Lanthimos is a director who I always like to keep an eye on as a film lover. The reason for this is that he creates worlds and tells stories that are anything but standard or predictable. In The Lobster single people had to find a partner within 45 days or else they would change in animals and in The Killing of a Sacred Deer he plays with extortion and possibly supernatural powers, resulting in a number of very memorable moments. As a result, these films may be strange and not easily watched by everyone, but I really enjoy them myself. The Favourite is perhaps his most accessible film and has received a lot of Oscar nominations and Olivia Colman won the statuette for best actress (and had an amazing Oscar speech). What makes this film so special? Continue reading

The Thing From Another World (1951) – Review

Review The Thing From Another World
One of my favorite sci-fi/horror films is John Carpenter’s The Thing, in which the tension is high and you, like the characters, have no idea what is going on and who may not be the person you think they are. Yet The Thing was a remake and according to some, one of the best ever made. I had never seen the original version before, but I was curious about the similarities/differences. Continue reading

The Price of Everything (2018) – Review

Review THe Price of Everything

The only thing I truly like about art in the form of paintings / statues etcetera is that I am fascinated by the world around it. Although I sometimes visit a museum, artworks that I see there do rarely really move me. But to see how the art world works, how artists make their work and the craziness of it is often fascinating. The number of documentaries/films that I have seen about the subject is enormous (my top 10), so The Price of Everything appealed to me enormously. Isn’t it strange that a work by an artist often yields more when they are dead or that some people buy art as an investment rather than something that they actually enjoy? This film not only follows collectors and artists (the highly successful Jeff Koons and Larry Poons whose work is currently not considered “hot”), but director Nathaniel Kahn also gets access behind the scenes at Sotheby’s. This results in a fascinating picture where you sometimes wonder whether money ultimately has destroyed quite a lot. Continue reading