Ignoring a few exceptions (Boiler Room, Saving Private Ryan) Vin Diesel has mostly starred in action movies, which often can’t be taken very seriously.
Think of the XXX films (Diesel as “extreme sports” super spy), the Riddick films (in which he is an alien superhero) and the Fast and Furious franchise (in which he also plays a superhero who can survive the most impossible situations). Based on a series by Valiant Comics, Bloodshot also takes on the role of a superhero. Does that make for an entertaining movie? Continue reading
Category Archives: Mystery
Onward (2020) – Review
The current corona crisis has not only changed daily life, the impact on the film industry is also enormous. Film companies can no longer make new films and titles that are about to be released are postponed, sometimes even by a year. Other titles, the films that are not blockbusters, will appear on VOD platforms without ever seeing the cinema (or only very shortly before the closure of cinemas). One of those titles was Pixar’s Onward, which was recently available for rent in America and is now available on Disney. Continue reading
One Cut of the Dead (2017) – Review
A huge number of films are released every year. Many will never receive much attention and no one will remember them. And even if they get attention, it doesn’t have to mean they’re actually memorable. I myself occasionally see in my statistics on this site titles of films that no longer ring a bell, even though I have written a review about it. Only when viewing the stills do I only remember which one it was. However, the reverse also happens. Films that also came out in a specific year, which received little or no attention, but have managed to build a name over the years. That’s the case for the Japanese zombie movie One Cut of the Dead. I kept reading positive messages about it. After watching the film, those are quite justified, this is a movie made for film lovers to enjoy. Continue reading
Spenser Confidential (2020) – Review
The Netflix exclusive Spenser Confidential is already the fifth film in a row that director Peter Berg has made with Mark Wahlberg. After the terrible Mile 22 and with the thought in mind that generally Netflix movies (with a few exceptions) are disappointing, I decided to give this new title a try. I shouldn’t have. Continue reading
The Gentlemen (2019) – Review
Although director Guy Ritchie has been working for more than 20 years now and is responsible for titles such as Aladdin, The Man from UNCLE, and the Sherlock Holmes movies, it’s his first two movies that are still my favorite. Lock, Stock and Two Smoking Barrels and Snatch were delightful British gangster films that stood out for their pacing and humor. With The Gentlemen, Ritchie returns to his roots. Continue reading
The Art of Self-Defense (2019) – Review
I think Jesse Eisenberg is an actor who generally has little variation in the type of roles he plays. They are often of uncertain or clumsy types. If you have seen an actor do something a lot, a kind of tiredness can develop. You simply don’t feel like seeing the same thing again. If you look at the trailer of The Art of Self-Defense, that would be enough reason to skip the film. Still, I didn’t and I have to conclude that this is one of my favorite films of the year. Continue reading
Rim of the World (2019) – Review
The nice thing about Netflix is that every week an enormous amount of content is added and you occasionally have absolutely no idea what to expect from a certain title. That may mean that you are pleasantly surprised, but also that you sometimes watch titles of which you think that they should not have been made. A while ago, Rim of the World appeared on the on-demand service. I hadn’t read or heard about it yet, but since the film was directed by McG (who also has directed, for example, 3 Days to Kill, Charlie’s Angels: Full Throttle and Terminator Salvation), my expectations were not high, but I was curious about the concept. I always have a weakness for science fiction and a movie in which teenagers fight aliens looked interesting on paper. Continue reading
Border (2018) – Review
In a sea of films, the waves can sometimes become so predictable that, while sailing, you hope for a wave that may have a different shape, such as square, so it stands out and gives you a new experience. Unfortunately the chance of this happening is extremely small, but as a film lover you hope to discover one. A film which gives you hope that there are still unique things to be found. Gräns (Border) is such a title. Continue reading
I Am Mother (2019) – Review
Although I have not yet written my reviews for the fifth season of Black Mirror, I did conclude that Charlie Brooker can no longer achieve the same high level of previous seasons. The dark twists I am expecting are no longer present and elements from earlier episodes were used again, such as placing a consciousness in another object. At the start of I Am Mother, I immediately realized that the concept of this Netflix movie as a basis could fit well with Black Mirror. Continue reading
The Man Who Killed Hitler and Then The Bigfoot (2018) – Review
What’s the first thing you think about when you read the title “The Man Who Killed Hitler and Then The Bigfoot”? Is it a cheap Roger Corman exploitation film? A bizarre action movie? Or do you start yelling about spoilers? No matter what it is, the title immediately catches your interested and makes you curious. And no matter what your expectations are, chances are big that they won’t be met by what this film offers. And in this case that isn’t a bad thing. Continue reading