The number of films (and with that, of course, the number of reviews) that I have watched in recent months continues to decrease. And that’s not because there is nothing to watch, on the contrary. My Netflix list is still huge and I keep adding titles and my IMDb list of movies I want to see consists of 379 titles. Still, I find my escape from reality a lot less in films the last couple of months. Partly because films don’t wow me as much anymore and I’d rather prefer to walk outside for one and a half to two hours in quiet areas, than to sit at home for an even bigger part of the day. Still, I was curious about the latest film by director Spike Lee. You can have different opinions about his films, but no matter what you think, you’ll have to agree that they are always unique. Da 5 Bloods is his latest and is available on Netflix. Continue reading
Category Archives: Violence
Bloodshot (2020) – Review
Ignoring a few exceptions (Boiler Room, Saving Private Ryan) Vin Diesel has mostly starred in action movies, which often can’t be taken very seriously.
Think of the XXX films (Diesel as “extreme sports” super spy), the Riddick films (in which he is an alien superhero) and the Fast and Furious franchise (in which he also plays a superhero who can survive the most impossible situations). Based on a series by Valiant Comics, Bloodshot also takes on the role of a superhero. Does that make for an entertaining movie? Continue reading
Les Misérables (2019) – Review
During the opening moments of the French film Les Misérables, in which you see large crowds of people during the 2018 FIFA World Cup, you get a strange feeling looking at it with the reality of today. In a society where you ensure that you keep enough distance from each other, it makes you feel uncomfortable. Obviously this was not the vision for the makers of the film, but it is almost alienating to see. The title might suggest that this is a new version of the famous book by Victor Hugo. There is no direct link however, but the events do take place in Montfermeil. It is the place where Hugo wrote his book and director Ladj Ly tells his own story. Continue reading
One Cut of the Dead (2017) – Review
A huge number of films are released every year. Many will never receive much attention and no one will remember them. And even if they get attention, it doesn’t have to mean they’re actually memorable. I myself occasionally see in my statistics on this site titles of films that no longer ring a bell, even though I have written a review about it. Only when viewing the stills do I only remember which one it was. However, the reverse also happens. Films that also came out in a specific year, which received little or no attention, but have managed to build a name over the years. That’s the case for the Japanese zombie movie One Cut of the Dead. I kept reading positive messages about it. After watching the film, those are quite justified, this is a movie made for film lovers to enjoy. Continue reading
Spenser Confidential (2020) – Review
The Netflix exclusive Spenser Confidential is already the fifth film in a row that director Peter Berg has made with Mark Wahlberg. After the terrible Mile 22 and with the thought in mind that generally Netflix movies (with a few exceptions) are disappointing, I decided to give this new title a try. I shouldn’t have. Continue reading
The Gentlemen (2019) – Review
Although director Guy Ritchie has been working for more than 20 years now and is responsible for titles such as Aladdin, The Man from UNCLE, and the Sherlock Holmes movies, it’s his first two movies that are still my favorite. Lock, Stock and Two Smoking Barrels and Snatch were delightful British gangster films that stood out for their pacing and humor. With The Gentlemen, Ritchie returns to his roots. Continue reading
Suriname (2020) – Review
A movie title can create great expectations. Suppose you are asked to write a movie with the title America or the United Kingdom, which subject(s) would you choose to show that cover everything. And what message do you want to convey to your viewers? Surinam is a country with a turbulent history and that according to the opening title has a lot of natural resources (in the top 15 of the world), but that it nevertheless has problems. A fact that makes you think and that you can do a lot with. Unfortunately, it soon becomes painfully clear that a possible message is hard to find. Continue reading
6 Underground (2019) – Review
You can interpret the above spectacular photo of the Netflix movie 6 Underground in a number of ways. Visually your eyes are immediately drawn to it. Why is an Audi flying through the air? Are those explosions or did someone just play with fireworks? What is actually going on here? Especially the latter is a question that I regularly ask myself when I see a Michael Bay movie. A director who is able to create visually attractive images, but then pastes so many in a row that you as a viewer sometimes lose the overview. When it comes to depth storywise it’s often lacking and because of that the action often feels empty. Does Bay manage to restrain himself a bit here? Continue reading
Birds of Prey (2020) – Review
In Suicide Squad, Margot Robbie managed to stand out with her rendition of Harley Quinn. Therefore it isn’t surprising that DC decided to give the character her own film. Because despite the title, which refers to a group of female superheroes who fight crime (and also appear in the film), the focus is primarily on her. Does that result in an enjoyable film? Continue reading
1917 (2019) – Review
That war is hell is of course nothing new. We see it almost daily on the news and war movies and series also show the horrors. Whether that is Vietnam or the second world war. In recent years, the first world war has again become the subject or part of films. For example, Wonder Woman partially took place in this setting and last year Peter Jackson impressively succeeded in transforming the existing jerky black-and-white images into a smooth, colored and narrated document about how the soldiers’ lives in the trench war looked like. And with 1917, director Sam Mendes brings the First World War to the big screen in a way that has never been done before. Continue reading