Dark Waters (2019) – Review

Recensie Dark Waters

The difficulty in implementing change, such as with the climate, is that most individuals understand the problem and are probably willing to take action. However, the problem is when these individuals are part of a large organization, that personal willingness may be different. The culture of a company, personal interests (keeping a job to take care of your family) and various other factors can lead to decisions being made that can make a huge amount of money for the company, but with a negative effect on society. The past has proven this time and time again, from economic crisis to wars. However, is it possible to change that or at least to make people think? Greta Thunberg was able to show that last year. In Dark Waters it becomes clear how difficult this can be. Continue reading

1917 (2019) – Review

1917 recensie

That war is hell is of course nothing new. We see it almost daily on the news and war movies and series also show the horrors. Whether that is Vietnam or the second world war. In recent years, the first world war has again become the subject or part of films. For example, Wonder Woman partially took place in this setting and last year Peter Jackson impressively succeeded in transforming the existing jerky black-and-white images into a smooth, colored and narrated document about how the soldiers’ lives in the trench war looked like. And with 1917, director Sam Mendes brings the First World War to the big screen in a way that has never been done before. Continue reading

Parasite (2019) – Review

Parasite recensie

I have always had a weakness for Alfred Hitchcock’s films. A director who was able to place ordinary people in special situations and defined what suspense is. It is a feeling that I also got while watching Parasite. The latest film from director Bong Joon-Ho (who previously made Okja, Snowpiercer, Mother, Memories of Murder and The Host, who just like Hitchcock, is a master at making films and offers the viewer a wonderfully unpredictable film in which the tension is constantly increased until it is almost unbearable. Continue reading

One Day at Disney (2019) – Review

One Day at Disney recensie

Since the worldwide release of Disney+, the service releases new content every week. The amount cannot be compared with, for example, Netflix (it is much less) and the strategy is different (weekly release of new episodes from, for example, The Mandalorian, Forky Asks a Question or The Imagineering Story instead of releasing whole seasons), but the service tries to ensure that you return regularly. The documentary One Day at Disney was recently released, which covers a part of the book One Day at Disney Making Magic Every Day and can be seen as a companion piece. Ultimately, it is intended that more individual episodes follow. Disney is known for its magic, but does this documentary also capture that? Continue reading

I Lost My Body (2019) – Review

I Lost My Body recensie

The perspective that we have has a huge impact on how we see the world. This can be based on ideas, but also on a physical level. As a child I was always curious what the top of a car looked like (that turned out to be a disappointment when I was older), but filmmakers also use perspective to present the world differently. In E.T. Steven Spielberg often placed the camera at the level of the children, so that you were experiencing it from their perspective. But also Honey, I Shurnk the Kids or a Marvel film like Ant-Man show how different your world is when you experience everything when you are just as big as an insect. The perspective in I Lost My Body can rightly be called unique, because there are few films that show you what you experience as a hand without a body. Continue reading

The Movies That Made Us (2019) – Review

Recensie The Movies that Made Us

As someone who grew up in the 80s, I always have a nostalgic feeling about my childhood (like probably everyone has). The Netflix series The Toys That Made Us therefore was something I loved, because the subject was toys from that era. It is a fun series to watch because of it’s quick and often funny editing. When it was announced that The Movies That Made Us would be released, I was very curious if this concept could be translated to films. The first four episodes are about four extremely successful films: Dirty Dancing, Home Alone, Ghostbusters and Die Hard. Continue reading

The Irishman (2019) – Review

The Irishman recensie

A new Scorcese film creates high expectations and The Irishman is no exception. This director is a walking film encyclopedia and has made several classic movies. Add to that the fact that he again cooperates with Robert de Niro and Joe Pesci (with whom he made Goodfellas and Casino) and also Al Pacino, which makes this a title that you want to watch as quickly as you can. After a very short time at the cinema The Irishman is now available on Netflix. Can Scorcese deliver another classic? Continue reading

Terminator: Dark Fate (2019) – Review

Terminator Dark Fate review

The Terminator franchise has built a strong foundation with its first two films, which are considered classics. However, it is a shame that there were no films after that which managed to reach the same level. Although I did enjoy Genisys, but not everyone had the same opinion. With Dark Fate, Linda Hamilton returns to this series and the question is to what extent that adds something. Is Dark Fate a return to form? Continue reading

The Laundromat (2019) – Review

The Laundromat review

The amount of data that we create as humanity is enormous. To put that in perspective: the amount of data we have created over the past two years is more than all the data that we have made in the entire history of humanity. And with such an overload of data, it is becoming increasingly difficult to get attention for a certain topic. When something is in the news, the period in which that subject is forgotten seems to be getting shorter and shorter. When the Pentagon Papers were published in the early 1970s, their impact was great and they kept the public busy for a long time. And although the impact of the Panama Papers in 2015 was there, with a number of senior officials in various countries resigning, it is not easy to conclude that there has been a fundamental change in regulations to make tax havens disappear. Director Steven Soderbergh seems to have the same feeling and tries to draw attention to this subject again with The Laundromat. Continue reading