A confused person. A term that I hear regularly in the news when someone has been violent somewhere. It is an easy-to-process label for a reader/viewer, because you don’t have to think about it. Someone who is confused can do crazy things, so that the act that has been performed has a “simple” explanation, no matter how big the consequences. It does not further incite you to think about how such a person finally got that far. Has he/she had many setbacks in his/her life, too little attention or simply not the right help from family, friends and agencies to ensure that this person was not confused? With knowing that information, you don’t have to understand the action itself or feel sorry for the perpetrator, but it may help you better understand the person and see if changes are needed in certain procedures to ensure that others don’t follow the same path. With Joker, director Todd Philips tries to paint a portrait of a man who will ultimately become Batman’s archenemy. Continue reading
Tag Archives: score: 10
Upgrade (2018) – Review
Every year there are only a few films in which there are shots that amaze me. Moments where I wonder how they are made or that overwhelms me visually (but that might be a subject for a separate article). When you watch a lot of movies it’s much more difficult to get wowed and you hope to see inventive imagery that feel fresh/new. Initially, I had no idea that Upgrade would be a title that had such characteristics. It starts as a fairly average science fiction story, but from the moment above I could not wait to see what else the film had in store. Continue reading
Hannah Gadsby: Nanette (2018) – Review
Because of the quickly expanding content offered by Netflix it is really hard to keep up what is being added. Especially the last couple of months I haven’t been very active when it comes to movies and blogging in general. I do listen to a lot of podcasts and a couple where mentioning the title of this Netflix-special. As show by an Australian stand-up comedian which is supposed to be more than just entertainment, but also a deconstruction of the genre and which makes you think. I really wasn’t prepared on how much this artist would move and impress me. A show which you simply can’t miss. Continue reading
Three Billboards Outside Ebbing, Missouri (2017) – Review
If you go by the title, you might wonder why you should watch a movie that is about three billboards in a place you have never heard of. If you look a bit further and see that Martin McDonagh is the writer and director, it becomes more interesting. He made the highly valued In Bruges in the past and was also responsible for Seven Psychopaths. And with a star cast including Francis McDormand, Woody Harrelson, Sam Rockwell and four Golden Globes (for best actress in a drama, best film (drama), best male supporting role in film and best script) is this one of the first must-sees of the year. Continue reading
Coco (2017) – Review
For a long time Pixar was the animation studio that was the best in the field of computer animation and was known for its originality. The only film that initially got (two very good) sequels was Toy Story, but after the release of the very disappointing Cars it was no longer a given that every Pixar film was a must see. Although Inside Out reminded me of the “old” Pixar, other sequels like Monsters University, Finding Dory and Cars 3 did entertain, but didn’t manage to wow as much. The Good Dinosaur was a bit disappointing. In comparison, Disney has been able to score hit after hit in recent years with Big Hero 6, Frozen, Moana and Zootopia. So Pixar has something to prove and show that they still got it. Do they prove that with their latest film, Coco? Continue reading
The Wailing (2016) – Review
Maybe I’m slowly starting to sound like a broken record, but South Korean cinema has been offering the most interesting and unpredictable movies in years. An action movie can contain humour or the hero turns out not to be exactly who he seems to be. The director of The Wailing, Na Hong-jin, previously made the tense and dark The Chaser and The Yellow Sea, in which a cab driver with a debt gets an opportunity to get rid of it by committing a murder. It managed to get the adrenaline pumping. The Wailing is no exception and is a true rollercoaster ride of emotions (and genres). Continue reading
Your Name (2016) – Review
After seeing Makoto Shinkai’s 5 Centimeters Per Second, I was really looking forward to seeing his latest film, which received a lot of glowing reviews. I was already impressed by his style, but wanted to find out if the story in this movie would be stronger and how much he had grown as a storyteller in then ten years between the films. Continue reading
Victoria (2015) – Review
As movies evolved, the way in which stories were told changed as well. That happened in various ways, like the positioning of the camera, the introduction of sound and color and the use of special effects. Movies were edited to suggest suspense or speed and during the eighties, influenced by the music videos on MTV those cuts kept getting faster. Long shots slowly got the image of being slow and boring.
Luckily that has changed during the last couple of years and more movies use long scenes made in one-take. Just think of movies like Children of Men of the opening shot of Spectre. But directors want to push that concept further. Of course Birdman is a well-known example, which manages to suggest it is all made in one shot (even though it is done through smart editing and hiding the cuts). Russian Ark from 2002 was the first movie which, thanks to developments on equipment which could film longer, could be made with one shot (and 2000 extras who all showed pieces of Russian history). That was a more artful movie, but Victoria is a “proper” film. It has one story and has been shot in one take in the streets of Berlin. The end result? A one take 138-minute movie. Continue reading
Jeux d’Enfants (2003) – Review
Love can be a beautiful thing and the bond which is shaped between two individuals can be so special that you both feel you have something which if unique. I had heard from Jeux d’Enfants (of Love Me If You Dare) that the two main characters had a very remarkable bond and it was a movie which had been on my to watch list for way too long. That’s also the reason I chose it for my Blindspot series this year. After watching the film I can only agree that Julien (Guillaume Canet) and Sophie (Marion Cotillard) have something I’ve never seen before and that this is a movie which really impressed. Continue reading
Broken Circle Breakdown (2012) – Review
I decided to start out the year well and immediately start watching a Blindspot movie. When I saw that this movie was available through one of the on demand services I am subscribed to it was easy to decide which one to start with. I had already been warned by de Protagonisten, two fellow Dutch blogger, that this wouldn’t be an easy watch….and boy, were they right. There was nothing which could have prepared me for the emotions I’d be going through during the next 111 minutes. Continue reading