Maybe I’m slowly starting to sound like a broken record, but South Korean cinema has been offering the most interesting and unpredictable movies in years. An action movie can contain humour or the hero turns out not to be exactly who he seems to be. The director of The Wailing, Na Hong-jin, previously made the tense and dark The Chaser and The Yellow Sea, in which a cab driver with a debt gets an opportunity to get rid of it by committing a murder. It managed to get the adrenaline pumping. The Wailing is no exception and is a true rollercoaster ride of emotions (and genres). Continue reading